Published by Capital & Main on February 24, 2016

Hollywood insiders scanning the #Oscarsowhite lists of this year’s Academy Award nominees have not failed to notice that the five candidates for Best Cinematography are all male and all white—and to no one’s surprise. While the Academy of Motion Picture Arts and Sciences has announced changes in membership rules to make its voters more inclusive in years to come, not a single woman or person of color in the “lenser” category, as the trades call directors of photography, has ever been tapped to receive the coveted gold statuette to be handed out this year at the Academy’s 88th ceremonials on February 28 at the Dolby Theater.

Also Read: FILM & TV DIVERSITY GETS A HEARING

“It’s a shame,” says Rebecca Rhine, national executive director of the International Cinematographers Guild Local 600, which is part of the International Alliance of Theatrical Stage Employees (IATSE). Noting that “access and opportunity” to employment determine who gets to win awards, Rhine told Capital & Main, in her first interview since taking over leadership late last year of the 7,700 member union, that achieving diversity behind the camera is one of her top priorities.

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